Tag Archives: Digress

HELLO 2016, BYE 2015 (part 1)

by Jean

Happy new year folks! Wish you all the best for 2016, especially tons of great new records, shows, new bands…whatever! So far this year has been pretty tough for me but, honestly, it has also been one of the most important years of my 28 years of existence on this planet. I’d like to thank all my friends and family for their support, all the DROIDxRAGE crew for being cooler than cool, and all the people I’ve met working on this website: Swedes – don’t forget /!\ FREE LINUS /!\, Gabriel, Leo, Joel, Emelie, Filil, Tor, Klas; UK – Paolo, Connor, Tom, MERCY, Ben, Jérémie, Sam, Rodney, Luke; Americans, Balaram Shakti Das (AKA Gjared), Lucas, Jean-Pierre, Connor; Canada: Karl; Brazil: Athos; Belgium: Jens; Bulgaria: Nikolay;  Australia: the Fitzsimmons twin brothers; Germany: Adrian; France: Alexis and Alexis(!) Elyas, Antoine… (sorry for those I forgot!)

Here is my 2015 top releases (photo credits (c)myself)

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Filed under Australian Hardcore, Burst Of Rage, Chain Rank, Control Records, DIY Hardcore, Fade, Female Punk, Hardcore, Jap Core, London Hardcore, Moshers Delight, straight and alert, Straight Edge, Tokyo Hardcore, Triple B Records, UKHC, Union Of Faith, xrepentancex

2015 UKHC

by Jean


During the early 2000s, Belgium and Netherlands were kind like a Mecca for Euro hardcore. Bands like NO TURNING BACK or TRUE COLORS, just to name a few, were at their peak and, althought I guess that spirit still exists in all-time NTB audience considering their latest LP “Never Give Up” (released a few months ago on Take Control Records and Kick Out The Jams) and Gert Jacobs (TC) latest band NOT AFRAID, it seems in 2015, England has turned into the epicentre of European conscious punk music especially if, like your (French) servant, you’re into the whole current “concept” of UK Hardcore.
(NB: I’m not a geography teacher so forgive me if these bands do not actually cover the entire United Kingdom map like former punk bands in 1980s Finland for example).

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Filed under Arms Race, Blind Authority, Hardcore, Higher Power, Insist, Lockin Out Records, London Hardcore, Obstruct, Revelation Records, Shrapnel, The Flex, UKHC, Violent Reaction, xrepentancex

Digress – The 7th Day demo


We’re only two months into 2015 but it’s shaping up to another beezer year for UKHC with big records from Repentance, True Vision and the Day Of Rights demos already and now Digress throwing the 7th Day into the mix. For those not on the skinhead tip, 90’s hardcore appears to be the dish of choice amongst the London straight edge. And whilst I often view these expeditions into 90‘s authenticity with one eyebrow raised, I can’t fault their enthusiasm and attention to detail one bit. Whilst brother bands Guidance, Repentance and Renounced may have drawn clear influence from the New Age, Good Life and Eulogy back catalogues respectively…Digress have chosen to rummage through the bag of tricks belonging to Floridia’s Strongarm .

I don’t front so I should preface this by stating that I tried listening to Strongarm’s Advent album when it came out. As was common at the time, pen friends would often tape new releases for one another because we were all simply to broke to keep up with everything. Foster (who would later inspire fear with Slavearc) had dubbed a copy of Strongarm for me with Cultures Born Of You on the other side. I didn’t think much to Culture, (and beyond Memento Mori I still don’t), and once I discovered that Strongarm were full on God heads I binned the tape off (despite quite liking it). Convictions maaaan. Anyhow beyond a passing musical similarity, Digress has very little to do with my reactionary and scornful teenage protestations….

Opening track Ascetic Ideal leads in with one of those melancholy acoustic intro’s that was popular amongst bands like Morning Again before cascading into a barrage of riffs and throaty desperate vocals. Musically there’s a lot more experimentation evident here than with the members other projects. Some complex riffs and textures coupled with smart understanding of dynamics create a heaviness that is less reliant on palm muting chug and more on tension and dischord. Reminiscent of early Shai Hulud perhaps? Vocalist Pat Hassan even drops in some of those super sincere spoken word passages. Hard to do them without involuntarily adopting an American accent!
Rock Of Sisyphus has a bit more mosh to it with shades of One King Down creeping in here and there with some really nice use of melody in the final third. Last song Avernment weighs in with that hefty mid pace crunch that would have had the Jannesport backpack brigade swinging at the knees and grabbing their curved brims to show how much they were FEELING it, the beat picks up and switches dynamics mid song for a furious thirty seconds but then it’s back to head nodding territory before closing out with a haunting solo. Lyrically Digress are far more introspective beast than their peers, looking inward at the inherent structural damage in the blueprint of humanity rather than lashing outwards. The lyrics are smart and I am reminded of the philosophical approach taken by the ancient vegan straight edge band Sevin on their Heavens Deception 7’.  Within a genre that has a tedious propensity for macho bravado, Digress’s whole schtick exudes intelligence, frustration and a resigned melancholy that comes as a real breath of fresh air. Have a listen to the demo HERE

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Filed under Hardcore, Straight Edge